
The correspondent in The Open Boat is the protagonist and narrator of the story, based on author Stephen Crane himself. As a reporter, the correspondent serves as the eyes and voice of the story, providing readers with insights into the thoughts and experiences of the crew. He is young and able-bodied, sharing rowing duties with Billie, the oiler. The correspondent's introspective nature and philosophical musings elevate the narrative beyond a simple adventure tale, as he grapples with profound questions about fate, brotherhood, and the indifference of nature. His search for purpose and meaning in the face of adversity adds depth to the story, making it a meditation on the nature of existence and the universal human condition.
Characteristics | Values |
---|---|
Archetype | Observer and thinker |
Profession | Reporter |
Age | Young |
Physical ability | Able-bodied |
Cynicism | Inclined to be cynical of men |
Outlook | Pleasantly surprised by the brotherhood formed in the boat |
Worldview | Wonders whether he is meant to drown |
Role | Functions as the eyes and voice of the story |
Nature | Introspective |
Perspective | Asks big philosophical questions |
What You'll Learn
The correspondent is the eyes and voice of the story
The correspondent in "The Open Boat" is based on Crane himself, who was a war correspondent. As such, he functions as the eyes and voice of the story. The story is told in a limited omniscient third-person narrative, with the narrator only having access to the correspondent's inner thoughts. The correspondent is the only character whose thoughts the reader can hear, and he is also the one asking the big philosophical questions.
The correspondent is the first to pose the question of why he is caught on the ocean, revealing his search for purpose in life. This question alone begins to shape the reader's perceptions of the men's ordeal. The correspondent's challenges to the sea, which he associates with nature and fate, reveal his desire to make sense of surviving the shipwreck, only to face the possibility of drowning in the dinghy. Although he understands that nature and fate do not act and think as humans do, he goads them because he believes that there is a purpose to nature, and that it somehow validates his struggle for survival.
The correspondent initially finds meaning in the brotherhood that develops among the crew in response to nature's cruelty. He takes pleasure in the pain caused by rowing in the rough sea because he believes that this pain is the healthy byproduct of his effort at community, which nature has forced them to create. However, as the men realise that no one is coming to save them, the correspondent loses hope in this brotherhood.
The correspondent's introspective nature leads to some of the most profound moments in the story. For example, he is the one who thinks about how this specific experience is connected to all moments of human suffering throughout history. It is also the correspondent who, at the end of the story, decides to bridge the gap and become the narrator, conveying what the men have learned to the rest of the world.
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He is the only character with philosophical introspection
The correspondent in "The Open Boat" is the only character with philosophical introspection. He is based on the author, Stephen Crane, who was a war correspondent and had a similar experience in a lifeboat. Crane uses the correspondent as his eyes and voice in the story, and the correspondent's inner thoughts are revealed to the reader. While the other characters are focused on their situation, the correspondent is deep inside his head, wondering about Fate and Destiny.
The correspondent's philosophical nature shapes the reader's perception of the ordeal the men are undergoing. He is the only character to question the purpose of their suffering and to wonder if there is any meaning to be found in it. He initially finds meaning in the "subtle brotherhood of men" that develops among the crew, taking pleasure in the pain of rowing because he believes it is the healthy byproduct of his effort at community. However, as the men realise that no one is coming to save them, the correspondent loses hope in this idea.
The correspondent's introspection also leads to some of the most profound moments in the story, such as when he remembers a poem about a soldier dying near Algiers. He is the one who thinks about how their specific experience is connected to all moments of human suffering throughout history. This is what gives the story its punch and elevates it from a simple adventure tale to a profound meditation on the nature of existence.
The correspondent's philosophical introspection is also evident in his speculations about the camaraderie in the boat and the indifference of nature. He wonders why he is caught on the ocean and challenges the sea, which he associates with nature and fate. Although he understands that nature and fate do not act and think as humans do, he goads them because he believes that there is a purpose to nature, and that it somehow validates his struggle for survival.
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He is based on Crane himself
The correspondent in "The Open Boat" is based on Crane himself. The story is based on an incident that occurred when Crane was a war correspondent. The correspondent is not a crew member but takes on an equal share of the rowing. He is young and able-bodied and shares rowing duties with Billie, the oiler.
The correspondent is the eyes and ears of the story, and it is through him that the reader experiences the events of the story. The story is told from a limited omniscient third-person perspective, with the narrator only having access to the correspondent's inner thoughts. The correspondent is the only character whose thoughts the reader can hear, which gives the reader a sense of his introspective nature. He is the one asking the big philosophical questions that turn this from a simple adventure story into a profound meditation on the nature of existence.
The correspondent is prone to philosophical speculations about the camaraderie in the boat and the indifference of nature. He wonders why he is caught on the ocean, a question that reveals his search for purpose in life. He also questions the purpose of nature, believing that there is a purpose to it and that it somehow validates his struggle for survival. He initially finds meaning in the brotherhood that develops among the crew in response to the overwhelming cruelty of nature. However, as the men realise that no one is coming to save them, he loses hope in this brotherhood.
The correspondent is also the one who thinks about how his specific experience is connected to all moments of human suffering throughout history. This is what gives the story its punch. He is the one who decides to bridge the gap and become the narrator, conveying what he has learned to the rest of the world.
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He is an archetype of observers and thinkers
The correspondent in Stephen Crane's "The Open Boat" is an archetype of observers and thinkers. As a reporter, he functions as the eyes and voice of the story, watching the waves and wondering why he is caught in the ocean. This question reveals his search for purpose in life. The correspondent is the only character whose inner thoughts are accessible to the reader, and he asks the big philosophical questions that turn the story into a profound meditation on the nature of existence.
The correspondent's challenges to the sea, which he associates with nature and fate, reveal his desire to make sense of his situation. He understands that nature and fate do not act and think as humans do, but he goads them because he believes that there is a purpose to nature, and that it somehow validates his struggle for survival. Initially, he finds meaning in the subtle brotherhood of men that develops among the crew in response to the overwhelming cruelty of nature. He takes pleasure in the pain caused by rowing in the rough sea because he believes that this pain is the healthy byproduct of his effort at community, which nature has forced them to create.
However, as the men realise that no one is coming to save them, the correspondent loses hope in the "subtle brotherhood" that had seemed to be the noble purpose of submitting to nature's punishment. Despite his profession's tendency towards cynicism, the correspondent is pleasantly surprised to find his heart warmed by the brotherhood that he and the crew have formed in the boat. Throughout the story, he speculates philosophically about the camaraderie in the boat and the indifference of nature.
The correspondent is also the one who thinks about how his specific experience is connected to all moments of human suffering throughout history. This is what gives the story its punch. The correspondent's introspective nature leads to some of the most profound moments in the story, such as when he remembers a poem about a soldier dying near Algiers.
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He is the only character to question the purpose of nature
The correspondent in Stephen Crane's "The Open Boat" is the only character to question the purpose of nature. While the other three men in the boat deal with their situation pragmatically, the correspondent is deep inside his own head, wondering about Fate and Destiny. He is the eyes and voice of the story, and it is through his philosophical lens that we perceive the men's ordeal.
The correspondent's introspective nature leads to some of the story's most profound moments. For example, he is the only one to reflect on the sense of brotherhood that develops among the crew, and he connects their shared experience to all moments of human suffering throughout history. This is what gives the story its punch.
The correspondent's challenges to the sea, which he associates with nature and fate, reveal his desire to make sense of why he survived the ship only to face possible drowning in the dinghy. He understands that nature and fate do not act and think as humans do, yet he goads them because he believes there is a purpose to nature—that it somehow validates his struggle for survival. Initially, he finds meaning in the brotherhood formed among the crew in response to nature's cruelty. However, as the men realise no one is coming to save them, he loses hope in this notion of brotherhood.
The correspondent is the story's protagonist, and he is based on Crane himself, who was a war correspondent. As a reporter, he functions as the eyes and voice of the story, watching the waves and wondering why he is caught in the ocean. His profession also makes him cynical of men, but he is pleasantly surprised to find his heart warmed by the brotherhood that forms in the boat.
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Frequently asked questions
The correspondent is the protagonist because he is based on the author, Stephen Crane, who was a war correspondent. He functions as the eyes and voice of the story, acting as our eyes and ears in the boat.
The correspondent is a reporter and the central character of the story. He is young and able-bodied, sharing rowing duties with Billie, the oiler. He is also, by virtue of his profession, cynical of men. He is surprised to find his heart warmed by the brotherhood formed in the boat.
The correspondent's introspective nature leads to some of the most profound moments in the story. He is the one asking the big philosophical questions that turn this from a simple adventure story into a meditation on the nature of existence.